| Highlighted Texts are Downloadable PDFs |
| Publications |
| 2005 "Interview: Henrik Olesen/ Kaucyila Brooke", in The Sky is Thin as Paper Here, Volume 0, Gallerie Daniel Buchholz, Cologne, 16 pgs. |
| 2004 The Boy Mechanic: San Diego Edition, A Ten Postcard Set, pub. plattform, Berlin & CalArts |
| 2003 "The Boy Mechanic", Olympe:Feministische Arbeitshefte sur Politik, Zürich, Switzerland, Ursula Bieman, Marion Von Osten, Verena |
| 2002 Gendered Geographies, published by Museum of Gestaltung und Kunst, Zürich, Switzerland |
| Bibliography |
| 2005 Gabriel Cifarelli, Untitled, COLA 2005, City of Los Angeles, 2005. pg 12-13 |
| 2004 Dominic Eichler, Kaucyila Brooke: Plattform, Berlin, Germany, frieze, October 2004, pg. 162 |
| Martin Prinzhorn, Kaucyila Brooke - Borderlines, Camera Austria International, 86/2004, pg 7-16 |
| Jennie Klein, In Search of the Golden California, Art Papers, Atlanta, Jan/Feb, pg. 23-26 |
| 2003 Peter Kruska, "We Are Walking Downtown. Unlike Brassai (...) We Are Daywalkers.", Hausordnungen Katalog, Menzel & Krause-Wahl, eds., Stadthaus Ulm, Ulm, Germany |
| 2002 Kelly Hankin, “The Girls in the Back Room; Looking at the Lesbian Bar”, University of Minnesota Press |
| 2001 Kelly Hankin, “Wish we didn’t have to meet secretly?; Negotiating contemporary bar space in the lesbian bar documentary.”, Camera Obscura, Duke University Press, Issue 45 |
| Christian Höller, “Video als Ausnahmemedium”, Texte zur Kunst, Berlin, Repro, June, 2001 |
| Justin Hoffmann, “<hers> - Video as a Female Terrain”, Kunstforum International: Repros, Janner-Marz, 2001 |
| Christa Benzer & Ulrike Müller, “Ihr Werkzeug:Video”, Nylon, Heft 2/ Herbst 2000, Repro, pg. 14-15 |
| 2000 Kelly Hankin, Excerpt from”Wish we didn’t have to meet secretly?; Negotiating contemporary bar space in the lesbian bar documentary”, <hers> Video as Female Terain, ed. Stella Rollig, Springer, Wien/New York, 2000, pg. 80-81 |
| Christa Benzer & Ulrike Müller, “Ihr Werkzeug:Video”, Nylon, Heft 2/ Herbst 2000, Repro, pg. 14-15 |
| Stella Rollig, “<hers> Video as a Female Terrain”, Springer-Verlag, Wien, Austria, pgs 12, 76-81 |
| 1997 Jennie Klein, “Re:Public, Listening to San Diego”, New Art Examiner, February, 1997, p.50 |
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